《牡丹亭》中人物的精神分析解读  

Research in the Character and Plot of Peony Pavilion in Psycho-Analytic Perspective

作　　者：张嘉欐[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《新疆师范大学学报（哲学社会科学版）》2012年第3期102-107,共6页Journal of Xinjiang Normal University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学规划基金项目(09YJA751040)的阶段性成果

摘　　要：文章将《牡丹亭》分作上下本,以精神分析学理对杜丽娘和作家进行心理研究,解读分析杜丽娘的本我、超我、自我及对剧情的影响,提出了本我戏与自我戏的见解,也认为作家主情论与士不遇的创作心理分别影响了上下本的剧情设计。The thesis divides Peony Pavilion into the first and second copies in which the writer makes a psycho-examination of Du Liniang and writer and interprets the effect of Du Liniang's,superego,the ego and id on the plot.The writer puts an idea about the dramas of ego and id and also holds that the creative mentality of the writer's main theory of emotion and unrecognized scholar take effect on the plot design of the first copy and second one.

关 键 词：精神分析 弗洛伊德 《牡丹亭》 人物 

分 类 号：G02[文化科学]