论文化人类学纪录片的价值取向  

On the Value Orientation of Documentary Films of Cultural Anthropology

作　　者：柯泽[1] 

机构地区：[1]西南政法大学全球新闻与传播学院,重庆401120

出　　处：《武汉理工大学学报（社会科学版）》2012年第3期358-363,共6页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：西南政法大学重大项目(09XZ-ZD-06)

摘　　要：在西方历史上,文化人类学的产生经历了漫长的思想积累过程,这一学说关注人种差异、种族差异和文化差异,20世纪初以来,美国和西方影视节目深受文化人类学思想的影响,文化人类学纪录片由此而产生,90年代以来中国大陆也产生了《藏北人家》、《神鹿呀,我们的神鹿》等优秀的文化人类学纪录片。文化人类学纪录片因其理论视角的独特,开启了人们对文化习俗、种族差异以及制度差异等问题的深度思考,具有鲜明的价值取向。The birth of cultural anthropology has gone through a long time in the west countries history.This theory concentrates on the diversity of human races,ethnic groups and cultures.The production of TV programs in America and west countries have been influenced by this theory since the start of 20th century.Then the so called documentary films of cultural anthropology have emerged in America and west countries.Also,some excellent documentary films of cultural Anthropology such as The Family in North Tibet,Fading Reindeer Bell have been created since 1990s in China.This kind of documentary enlightens people to ponder over issues such as culture,custom,ethnic group and institution due to the unique perspective of theory.Absolutely,it has unique orientation of values.

关 键 词：文化人类学 记录片创作 思想价值 

分 类 号：G206.2[文化科学—传播学] C912.4[经济管理]