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作 者:汪璧辉[1]
机构地区:[1]南京晓庄学院外国语学院,江苏南京211171
出 处:《长沙理工大学学报(社会科学版)》2012年第5期41-46,共6页Journal of Changsha University of Science and Technology:Social Science
基 金:江苏省教育厅2012年度高校哲学社会科学研究指导项目"20世纪上半叶中国文学英译研究"(2012SJD740045);南京晓庄学院青年专项课题"翻译过程中的译者主体性"(2010KYQN21)
摘 要:新诗是"自由的精灵",但自诞生便无法超脱政治的纠缠、古今的辗转和中西传统的牵引,由此形成了20世纪新诗曲折的发展路径。进入21世纪以来,新诗受到消费主义文化的挤压,"苟且"于这急迫的时代,所幸仍有"不识时务"者默默坚守,开掘人性,追求精神的终极关怀,倡导灵性书写,创辟网络抒情渠道,在宏大叙事与日常经验写作之中奔向"人"的启蒙。吴思敬深刻体察新诗格局之当代演变,敏锐而宽容,在《自由的精灵.沉重的翅膀》中再次表达了对新诗"自由"品质的守望。With the spirit of freedom,new poem,after its emergence,got entangled with politics,the matrix of traditional and modern ideas and the integration of western and eastern systems,which led to its uneven development during the 20th century.Since 21st century,new poem is being confronted with consumerism and is striving for its hard-won survival.Fortunately,some 'stubborn' people are still holding the spirit,sticking to the pursuit for humanity and concern for psychological care.They advocate writings with spiritual inspirations,introduce the network channel for expressing feelings,and head for enlightenment through the narration of great events and description of daily life.With a profound observation of the evolution of new poem in modern times,Wu Sijing,keen and lenient,restates his belief in freedom in his book Free Spirit and Weighty Wings(Zi You de Jing Ling□Chen Zhong de Chi Bang).
关 键 词:新诗 自由 宽容 《自由的精灵·沉重的翅膀》
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