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作 者:刘彦田[1]
出 处:《白城师范学院学报》2012年第6期101-104,共4页Journal of Baicheng Normal University
摘 要:赵树理在部分小说中塑造了以"三仙姑"为代表的健忘者形象,这些个体或者群体,都有着忘记受奴役的辛酸与奴役他人快乐相似的健忘的经历。不仅体现出对鲁迅先生国民性批判的继承性,更表现出不同历史时期赵树理国民性批判的差异性。作家所塑造的形象,虽然所处的时代环境不同但却有着惊人的相似。在压迫或者被压迫的过程中,文化是根基,如果不彻底破除精神中的健忘,农村和农民的解放就不能成为真正的解放,农村和农民必将成为民族进步的阻碍。Zhao Shuli shaped images,represented by Third Fair,who suffered from amnesia in some of his novels,these individuals or groups all had similarly forgetful experiences which were either thrall bitterness or the pleasure of enslaving other people.This not only reflected Zhao's inheritance from Lu Xun's criticism on national traits,but also showed his criticism differences in different historical periods.The images,created by the writer,were surprisingly resembled in spite of their different times.In the process of oppressing or being oppressed,culture was the foundation,if the amnesia in spiritual mind was not removed completely,the emancipation of rural areas and peasants was not truly realized,rural areas and peasants would be the block to the national progress.
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