五四文化保守主义与中国文化的现代性建构  

Cultural Conservatism of the May Fourth Period and the Modernity Construction of Chinese Culture

作　　者：孙媛[1,2] 

机构地区：[1]吉林大学文学院,吉林长春130012 [2]漳州师范学院中文系,福建漳州363000

出　　处：《大连理工大学学报（社会科学版）》2012年第3期92-96,共5页Journal of Dalian University of Technology(Social Sciences)

基　　金：教育部哲学社会科学研究后期资助项目:"从整合走向现代--吴宓文学思想研究"(11JHQ048)

摘　　要：如何处理传统与现代的复杂关系和建构现代民族文化身份是与中国文化现代性进程纠缠始终的两大问题。五四时期,在世界文化保守主义思潮的影响下,作为对激进主义知识分子现代性单维体认方式的否定性回应,文化保守主义者在质疑进化论以暴露新文化运动的理论局限性的同时,亦从这两个方面展开了对文化现代性的理论设想。在这一意义上,五四文化保守主义中庸平和的主张背后所体现的仍然是一种现代精神,它理应和激进主义合力推动中国文化的现代性建构进程。How to deal with the tradition-modern relationship and how to construct the cultural identity of modern nation are the two entangling issues during the process of Chinese cultural modernity.In the May Fourth period,under the influence of worldwide cultural conservatism,the cultural conservatives designed the cultural modernity concerning the two aspects,as well as questioned the theoretical limitations of the New Culture Movement arguing with the radical intellectuals.In this sense,under the moderate assertion of those cultural conservatives,there is also a brand of modern spirit,which should be the cooperating counterpart of the radical intellectuals' proposal in the process of Chinese cultural modernity.

关 键 词：文化保守主义 现代性 传统 现代民族文化身份 

分 类 号：I206.6[文学—中国文学] G122[文化科学]