女性叙事视阈下的简·奥斯丁小说童话模式研究  

On the Fairytale Mode in Jane Austen's Novels from Female Perspective

作　　者：杜洪晴[1] 

机构地区：[1]徐州工程学院外国语学院,江苏徐州221008

出　　处：《牡丹江教育学院学报》2012年第6期6-7,共2页Journal of Mudanjiang College of Education

基　　金：校级青年科研课题"女性叙事学视阈下的简.奥斯丁小说童话模式研究"(XKY2010410)研究成果

摘　　要：在父权制社会中,童话作为男性话语的载体,往往传达着男性对女性的审美期待和价值准则,对女性产生了潜移默化的影响。为了突破男性话语的禁锢,奥斯丁将其小说装裹在童话的外衣下,以独特的女性视角和间接的女性叙事手法对各种童话母题,如灰姑娘模式、二元对立模式、丑小鸭的成长故事、大团圆结局等进行巧妙的修正和颠覆,形成了独具特色的童话模式,并借以表达她对女性主体身份的思考和重建女性主体性的积极探索。In the patriarchy society,fairy tales,as the carrier of male discourse,often embody men's aesthetic expectation and value standard to women and hence exert a subtle influence on them.In order to break through the imprisonment of male discourse,Austin put her novels under the disguise of fairy tales,and with distinctive female perspective and indirect female narrative techniques,she corrected and subverted different sorts of fairy tale motifs,such as 'Cinderella' mode,binary opposition mode,the initiation story of 'little ugly duck',happy ending,etc.,therefore forming a unique fairytale mode.In this way,she expressed her deep thinking to female identity and her exploration to rebuild female subjectivity.

关 键 词：简·奥斯丁 灰姑娘模式 二元对立模式 丑小鸭的成长故事 大团圆结局 

分 类 号：I561.074[文学—其他各国文学]