贯通“中西古今”——郭沫若史剧理论的启示  

Through the Chinese and the Western,the Past and the Present——The Revelation of Guo Mo-ruo's Historical Drama Theory

作　　者：沈庆利[1] 

机构地区：[1]北京师范大学文学院

出　　处：《天津师范大学学报（社会科学版）》2013年第2期39-44,共6页Journal of Tianjin Normal University(Social Science)

基　　金：教育部哲学社会科学研究重大课题攻关项目(04JZD0035)

摘　　要：郭沫若的史剧理论受了西方文化"科(学)艺(术)区别"的决定性影响,冲破了"文(艺)史(学)不分"的中国传统思维方式,强调作家处理历史题材时的虚构与想象自由。但他的"失事求似"理论却离不开对中国传统比兴思维出神入化般的运用,这无疑对遭受西方理论冲击、面临"失语"困境的当今中国文艺理论界具有启示意义。当前历史文艺创作之乱象乃至批评话语的混乱,与历史共识的缺失直接相关。Guo Mo-ruo's historical drama theory accepted the influence of western culture,broke through the traditional Chinese way of thinking,stressed that the writer's free of fiction and imagination in dealing with historical themes.But he can not be separated to the traditional Chinese thinking like of Bi and Xing.This is undoubtedly enlightenment for the aphasia contemporary Chinese literary theorists suffered the impact of western theories and faced with the plight of western theories.The chaoses even the critical discourse confusion on the history of literary and artistic creation,directly related to the lack of historical consensus.

关 键 词：郭沫若 史剧理论 失事求似 历史共识 

分 类 号：I206.6[文学—中国文学]