胡廷晖作品的发现与《明皇幸蜀图》的时代探讨  

Discovery of Hu Tinghui's Work and Date of "Emperor Minghuang's Trip To Shu"

作　　者：杨新[1] 

机构地区：[1]故宫博物院

出　　处：《文物》1999年第10期94-101,共8页Cultural Relics

摘　　要：1984年我在美国访问时,曾到纽约拜访华人收藏家王季迁先生,观赏他的藏品如武宗元《朝元仙杖图》等。其间,季迁先生拿出一个画轴,并说:“请你看看这件宝贝。”我接过画轴,看外签上写着:“宋赵伯驹青绿山水。”先生说:“这是我随便写的,不足为凭,你看了画再说。”画展开后,幅面纵143、横55.5厘米,青绿着色,画山水楼阁,无款(封三)。先生问:“怎样?”我答道:“好画。与今在台北故宫的《明皇幸蜀图》同一风格,不知何人所作。”先生深表赞同,甚至认为二者出自一人之手。之后我仔细观察画面上每一个细节,终于在画幅右侧破损处辨认出了半方印章,“廷晖”二字隐约可识(图一)。The author of this article, during his visit to US in 1984, saw Mr. Wang Jiqian's col-lection of paintings in New York. One of the paintings, 'Blue and Green Landscape, bearsa stylistic similarity to 'Emperor Minghuang's Trip To Shu' now in the collection of thePalace Museum in Taipei. Half of a seal was shown on the broken right part of the pic-ture. The largely illegible characters read 'Ting hui.' Tinghui was the personal name of theYuan dynasty artist Hu Tinghui. According to literal data, Hu was an outstanding professional painter, and was once in-vited to Zhao Mengfu's home where to restore Li Zhaodao's 'Reaching Melons' and makea copy of the picture from memory. Since 'Reaching Melons' and 'Emperor Minghuang'sTrip to Shu are different names of the same painting, our hypothesis that the author ofthe Blue and Green Landscape' is Hu Tinghui is supported. Mr. Wang presented the paint-ing to the Palace Museum in Beijing in 1998.

关 键 词：时代探讨 青绿山水 故宫博物院 作品 台北 摹本 赵孟 藏本 收藏家 叶梦得 

分 类 号：K879[历史地理—考古学及博物馆学]