福楼拜作品话语系统现代性初探  

Study of Flaubetr's Modernism of Discourse System in His Works

作　　者：郭文娟[1] 

机构地区：[1]山东师范大学国际文化学院,山东济南250014

出　　处：《山东师范大学学报（人文社会科学版）》2000年第5期46-49,共4页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：福楼拜对小说艺术的开拓表现在话语系统中 ,主要有三个层面 ,首先他开始了淡化故事、创作非情节小说的尝试 ,他的作品不再像传统小说一样讲故事 ,而是通过展示来忠实记录生活。第二 ,他的叙事视角开始从全知视角向有限视角转换 ,由此形成的平行描写 ,开后世之先河。第三 ,他注重运用无意义细节描写和空白、遗漏等技巧 ,给作品带来极大的“不确定性” ,使读者有了更大的想象空间 ,大大增强了作品的艺术魅力。这些探索和追求为 2Flaubert's exploration in the art of fiction is reflected in his discourse system consisting of three layers.Firstly,he started the experiment of making light of plot by faithfully recording life.Secondly,he turned from the omniscient angle of narrative to the limited angle,becoming forerunner of parallel description.Thirdly,he emphasized the description of connonplace details and the technique of leaving blanks and missing,which rendered great 'uncertainty'to his works ,thus leaving more space for the reader to imagine,enriching the artistic charm of the works.This exploration has set fine examples for the 20 th century fiction creation.

关 键 词：福楼拜 小说 话语 现代性 视角 不确定性 

分 类 号：I106.4[文学—世界文学]