大众化语境中的误读——关于赵树理语言研究的审美反思  

Misreading in a Popularized Context——Aesthetic Rethinking of Language Research about Zhao Shuli

作　　者：张卫中[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《华中师范大学学报（人文社会科学版）》2014年第2期89-95,共7页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金资助项目"20世纪中国的文学语言建设研究"(11BZW117)

摘　　要：赵树理因受时代大潮的托举而成就大名,但是这种成名方式对他来说也是利弊兼有:"利"在他的探索"轻易"得到了承认,"弊"是其艺术个性被简单化,一定程度上被遮蔽了。在语言方面,一种语言特点本来可以有很多种解读,但赵树理的语言基本是被削足适履式地定格为大众化与通俗化。赵树理文学语言的表层特点是它较多地减省了某些语言成分,例如少用形容词、色彩词和各种繁复的修辞手段,然而正是在这种对"常态"的偏离中,他创造了一种简略、质朴、浑厚、粗线条和极富张力的艺术语言。Zhao Shuli became a famous writer because of the tide of times,however,his way to get fame has its pros and cons.His writing explorations were admitted easily,which is the advantage;his artistic personality was simplified and partly shielded,which is the disadvantage.One kind of language feature can be interpreted from several ways,but Zhao Shuli's language was just simply defined as popularized and vulgarized.The surface characteristic of Zhao Shuli's language is that it reduced some language components such as less adjectives,color words and complex rhetoric figures.However,just in the deviation of normality he created a kind of artistic language,which is brief,plain,vigorous,bold and full of tension.

关 键 词：赵树理 文学语言 大众化 审美反思 

分 类 号：I206.6[文学—中国文学]