推尊与适俗:越中曲家的理论倡扬与俗化的文学呈现  

Theoretical Promotion and Literary Popularization of Drama by Yuezhong Dramatists

作　　者：李灿朝[1] 

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006

出　　处：《湖南科技大学学报（社会科学版）》2013年第2期143-145,共3页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：教育部人文社会科学规划基金项目(11YJA751033);湖南省高校创新平台开放基金项目(10K028)

摘　　要：越中曲家大力推尊戏曲,一方面从理论上加以倡扬,突显戏曲的教化功用与社会价值,以抬高戏曲的文学地位;另一方面大量编选、评点、刊刻戏曲作品,促进戏曲的传播与繁荣。创作实践上,越中曲家在戏曲的主题和题材、情节结构、语言等方面呈现出鲜明的俗化特征,在明后期戏曲的通俗化道路上做出了重大贡献。Dramatists of the Yuezhong region valued drama in great esteem.They greatly promoted drama theoretically in order to highlight its educational and social value and improve itsliterary status.On the other hand,they complied,reviewed and published drama in large numbers and accelerated the popularity and prosperity of drama works.Yuezhong dramatists injected the characteristics typical of light literature in their literary creations through various aspects includingtopics,plots,language and etc,contributing greatly to the popularization of drama in the late Ming Dynasty.

关 键 词：越中曲家 推尊戏曲 俗化特征 

分 类 号：C55[社会学]