毛泽东文艺叙事思想述略——以1942年《在延安文艺座谈会上的讲话》为中心  

A Brief Study of Mao Zedong's Literary Narration Thoughts: Centered on Talks on Art and Literature at the Yan'an Forum in 1942

作　　者：刘郁琪[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《湖南科技大学学报（社会科学版）》2013年第3期11-14,共4页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省社科基金项目(2010YBA099);教育部人文社科青年项目(10YJCZH098);湖南省教育厅资助项目(09C416)

摘　　要：毛泽东文艺思想,尤其是《讲话》中的许多原则,很大一部分是针对叙事文学的,甚至可看作是对叙事文学的应然性规定。毛泽东依据阶级斗争理论所提出的革命斗争故事,构成了其革命文艺故事思想的总蓝本。他有关民族形式问题、普及与提高、继承与创造的论述,在本质上则是对其民族化、民间化文艺叙述思想的阐释。也就是说,用民族化、民间化的叙述话语,讲述阶级化、斗争化的革命故事,构成了毛泽东文艺叙事思想的基本内容。Mao Zedong’s literary thoughts,particularly many principles contained in Talks on Art and Literature at the Yan’an Forum,are aimed at narrative literature.It can be considered as contingent regulations for narrative literature.Based on class struggle theory,Mao Zedong puts forwards general blueprints of the revolutionary struggle stories.In essence,his discussions about the problem of the national form,popularization and improvement,inheritance and creation are all the interpretations of his narration thoughts of national and folklore literature and art.In other words,he tells the struggle and the class stories with narrative discourse,which constitutes basic contents of Mao Zedong’s literary narration thoughts.

关 键 词：毛泽东 《讲话》 叙事学 文艺叙事思想 

分 类 号：C55[社会学]