论宋元明小说、戏曲发迹变泰题材的流变及其文化意蕴  

On the Changes and the Cultural Meaning of The Theme of "Becoming Prosperous" in Novels and Operas of the Song, Yuan and Ming Dynasties

作　　者：潘承玉[1] 

机构地区：[1]绍兴文理学院中文系

出　　处：《复旦学报（社会科学版）》1997年第6期86-92,111,共8页Fudan Journal（Social Sciences）

摘　　要：在宋元明大众语体小说和戏曲领域，发迹变泰题材勃兴后经历了两次大的嬗变，产生了三大题材类型和总共十二种题材模式。本文认为，发迹变泰题材存在并呈现这种波动曲线，正是宋元明时代不同社会历史属性递承的投影；考察大众语体文学发迹变泰题材的流行，发掘其文化意蕴，可弥补一般中国思想史对我国封建社会后期大众心态研究之不足。In the field of vernacular novels and operas in the Song,Yuan and Ming Dynasties,the theme of 'becoming prosperous' went through two great changes,and broke down to three ma jor types with twelve models in subject matter. This essay holds that the curve of theme change is in fact the projection of different social and historical attributes in the Song, Yuan and Ming Dynasties and that to observe the prevalence of the theme of 'becoming prosperous' in popular literature and to seek the cultural meaning therein can make up for a deficiency in most works of ideological history of China -a deficiency in probing the popular psychology in the later period of feudalistic China.

关 键 词：发迹变泰 主人翁 题材 大众语 文化意蕴 《古今小说》 醉翁谈录 戏曲 作品 说话艺术 

分 类 号：I207.4[文学—中国文学]