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作 者:杨新[1]
机构地区:[1]故宫博物院 研究员
出 处:《文物》1997年第4期53-61,97-98,共11页Cultural Relics
摘 要:本文的写作是从一幅明人风俗画所引发出来的。这幅作品无作者款印,引首徐邦达先生书“上元灯彩”四字并拖尾一跋。绢本,设色,纵25.5厘米,横266.6厘米。所描绘的内容虽然是上元节(正月十五)灯会的热烈场景(彩色插页壹、贰;图一、五~七),但作者所选择的活动背景却是“古玩一条街”,相当于今天北京的琉璃厂、潘家园,天津的沈阳道,香港的摩罗街。古玩店铺,鳞次栉比,摊商云集,万头攒动,非常壮观,因此引起了我对该画的极大兴趣。'Lanterns of the Shangyuan Festival'by an unknown painter of the Ming dynasty is a genre painting remarkable for its grand scene and numerous figures. Basing himself on the literature and 'Emperor Kangxi's Itinerary Travel to the South',a painting composed in the early Qing dynasty,the author comes to the conclusion that the scroll is a depiction of Neiqiao,a commercial street of downtown Nanjing in the Ming dynasty. The market of antiquities came into being toward the end of the Ming dynasty, chiefly in Beijing and Nanjing. Neiqiao served as one of such markets. The article discusses the related problems such as fashion in antiquities,market of antiquities and so on.
关 键 词:上元 好古 古董 士大夫 灯彩 市场 风俗画 集市贸易 作品 收藏
分 类 号:K871[历史地理—考古学及博物馆学]
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