试论张骏祥的喜剧思想  

On Zhang Jun-Xiang’s Theory of Comedy

作　　者：张健[1] 

机构地区：[1]北京师范大学

出　　处：《戏剧艺术》1994年第2期60-69,共10页Theatre Arts

摘　　要：作为四十年代一位重要的戏剧理论家——张骏祥对于中国现代喜剧思想的建设做出了积极的贡献。他的喜剧思想体现了中国现代喜剧观念史中,美学研究和戏剧学研究合流并进的总体趋向;并且从喜剧美学的核心理论出发,紧密结合中国新喜剧的创作实践,深入缕析了喜剧艺术生产过程中的诸种主要环节,因而不仅具有重要的历史价值,而且对今天的喜剧实践仍然具有着宝贵的现实指导意义。As an influential theatre critic during the forties, Zhang Jun-Xiang has made a great contribution to modern Chinese theory of comedy. His theory represents a trend towards combining aesthetics and drama in modern comedy. Zhang has analyzed from theatrical practices all the key stages in the development of comedy. His theory has not only a historical significance but also a significance in today's comedy.

关 键 词：张骏祥 喜剧美学 中国现代喜剧 客观论 喜剧观念 柏格森 笑剧 社会性 喜剧论 喜剧艺术 

分 类 号：J809.2[艺术—戏剧戏曲]