《水绘仙侣》的理想性与中国新诗的文化身份  

The Ideality of Immortal Love in Shuihui Garden and The Cultural Identity of Chinese New Poetry

作　　者：钱文亮[1] 喇诗韬 

机构地区：[1]上海师范大学都市文化研究中心,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2014年第3期78-85,共8页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：教育部人文社会科学规划项目(09YJA751058);上海高校一流学科(B类)建设计划规划项目阶段性成果

摘　　要：柏桦的长诗《水绘仙侣》通过明末遗民冒辟疆与名妓董小宛婚后在江南水绘园中闲雅、安详的家居生活的描写,旁涉文人雅集、宗教实践,乃至离乱、疾病与死亡,从而为读者呈现了一种理想的生活方式;同时,长诗也通过水绘园这一理想世界的构建,强调了中国文化传统中一种"逸乐"的文学观、价值观,表现出当代诗人在全球化视域下对于本民族文化的丰富理解,以及重构中国新诗文化身份的自觉努力。Bai Hua's long poemImmortal Love in Shuihui Garden presents an ideal lifestyle to readers by describing the elegant,peaceful domestic life of the adherents of Ming Dynasty Mao Pijiang and the courtesan Dong Xiaowan after their marriage in the Shuihui garden of southern Changjiang delta in the late Ming.The poem is concerned with the literati gathering,religious practices,social turbulence,diseases and death.Meanwhile,the poem emphasizes literary views and values of'pleasures'from traditional Chinese culture by constructing Shuihui Garden as an ideal world,and shows the contemporary poets' rich understanding of the national culture in the context of globalization,as well as their conscious effort in reconstruction of the cultural identity of Chinese new poetry.

关 键 词：关键词:理想性 水绘园 逸乐 中国新诗 文化身份 

分 类 号：I207.25[文学—中国文学]