拟容取心 象其物宜——中国商周时代青铜艺术的形式魅力  

The Formal Charm of Bronze Art of Shang Dynasty and Zhou Dynasty

作　　者：乔迁 

出　　处：《雕塑》2003年第2期10-12,共3页Sculpture

摘　　要：中国古代的美学范畴的思维方式是在青铜时代成熟起来的,“取象表意”造就了其后中国传统艺术的特征。 “用取象的方法,对审美创造和审美经验进行直观概括与形象喻示,从而构成具象化的美学范畴,这是中国古代美学范畴的一个重要特征。”无论多么抽象的命题,中国人总是能够用具象予以表述。One of the important characteristics in ancient aesthetics in China is to generalize and express the aesthetic creation and experience by symbol so as to construct the concrete aesthetic category. The expression produces two features of bronze art: one is programmatic, and the other is ornamental. The art ornaments consist of a series of independent factors. The factors are divided into concrete decorative pattern and abstract decorative pattern. The most charmful images are the concrete ones, but some images are created by imagination such ax the dragon, the phoenix, and Taotie (a gluttonous animal in ancient Chinese tales). The image of Taotie could be originated from many themes in ancient culture. It is obvious that if is inherited from the animal facial pattern in Liangzhu Civilization in the downstream area of Yangtze River. The images of bronze art have common characteristics, which demon-strates linn the creation of them follows a set of fixed rules. Among these rules the patterns' manufacturing is the most typical and clear. The identically geometric feature of the concrete and the abstract decorative patterns is one of the most important traits of bronze an. The images of bronze art have concrete and abstract features simultaneously, which come from their semiotic functions. The structure of the decorative patterns is similar to the structure of Chinese characters; both functions lay particular stress on the ornament and symbolization.

关 键 词：青铜艺术 形式魅力 拟容取心 纹样 中国商 图腾 青铜时代 中国青铜 兽面纹 中国文字 

分 类 号：J309.2[艺术—美术]