唐代西域舞蹈表演形态特点分析  

Analysis on the Features of Dancing Form in Western Regions of Tang Dynasty

作　　者：王茗[1] 贺晓阳[1] 

机构地区：[1]新疆师范大学音乐学院,新疆乌鲁木齐830054

出　　处：《新疆艺术学院学报》2013年第4期1-5,共5页Journal of Xinjiang Arts University

基　　金：2013国家社会科学基金艺术学青年项目"文化交流视野下哈密舞蹈文化研究"(13CB105);新疆师范大学自治区普通高校人文社会科学重点研究基地中亚音乐文化研究中心2012招标课题;2013招标课题"伊犁河流域哈萨克民间舞蹈文化研究"(XJEDU040912C02);"跨文化视域下伊犁达斯坦调查研究"(040913B01)部分研究成果

摘　　要：从唐诗对西域乐舞的描绘和已出土唐代西域乐舞文物来看,唐代西域舞蹈在表演上具有旋转多、速度急;姿态上女子多折腰、男儿多腾踏;步伐上以"圆"为轴;形式上脚踏舞筵、乐舞相谐;舞种丰富,多持具、假形等特点,伴奏乐器以击打乐器鼓为主,琵琶、横笛次之。This thesis makes an analysis on the features of dancing forms of Western Regions of Tang Dynasty based on the descriptions in the poetries of the Tang Dynasty together with the unearthed historical relics about Western Regions dance. Thus the conclusion is that the performing forms of Western Regions dance of Tang Dynasty mainly feature on the quantity of rapid spins. On the features of poses, the female performers trend to use waist bowing, and the male choose jumping and stepping more. Also, the performers like to choose circular pace. When dancing, the performers wear dancing feasts, and usually, they will hold kinds of props, also, they like to wear totem masks. When choosing musical instruments, musicians mainly employ percussion instrument, then Pipa and Flute.

关 键 词：唐代 西域舞蹈 形态特征 

分 类 号：J709.2[艺术—舞蹈]