电影《莫扎特传》:“救赎”与“自我求证”主题分析  

Analysis on Subject of the Movie Amadeus:“Redemption” and “Self-identification”

作　　者：段金龙[1] 

机构地区：[1]山西师范大学戏曲文物研究所,山西临汾041001

出　　处：《新疆艺术学院学报》2013年第4期71-74,共4页Journal of Xinjiang Arts University

摘　　要：第五十七届"奥斯卡"金像奖获奖影片《莫扎特传》以宫廷乐师安东尼奥·萨列里的视角追忆,阐述了莫扎特辉煌而短暂的一生。然而在影片中,从萨列里身上表现出的"救赎"主题却一直被人们所忽视,其包括:对音乐的救赎、对人性和对灵魂的救赎,而这种救赎另一程度上则是对萨列里"自我求证"后的人性回归和心灵净化。Amadeus: The Director's Cut,the film of 57th Oscar Academy Award, portrays the life of Mozart, which is brilliant but short, from the perspective of a court musician named Antonio Salieri. However, in the film,the theme of redemption embodied in him has been ignored by the people. which include: for salvation of music, for humanity and for the salvation of the soul. To some extent, this redemption is the salvation of salieri humanity return and spiritual purification after the self-identification.

关 键 词：电影《莫扎特传》 萨列里 “救赎”主题 “自我求证”主题 

分 类 号：J905[艺术—电影电视艺术]