何其芳诗歌的公共性转向  

The Publicity Change in He Qifang's Poetry

作　　者：欧茂[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《宜宾学院学报》2013年第7期35-38,共4页Journal of Yibin University

基　　金：重庆市社科规划项目"中国新诗的公共性研究"(2012YBWX087)

摘　　要：何其芳诗歌创作在二十世纪三十年代中后期有一个明显的转向,学界称之为"何其芳现象",即从最初的描写个人爱恋忧愁、自然风景等个人性写作到后来为革命战争而鼓舞的公共呐喊,其诗歌呈现出不同的创作面目。究其转向的原因有生活经历的扩大,民族苦难意识的担当,对"卡里斯马型"崇拜等自律因素;也有延安文艺政策吸引等他律因素的影响。He Qifang had an obvious change in his poetry writing in the 1930s,called 'He Qifang phenomenon'in the academic circle.His poetry showed us different styles,ranging from personal writing describing affection,sorrow and natural view to subsequent publicity for inspiring revolutionary wars,which demonstrated different creative aim in his poetry.The reasons why he had such obvious change are contributed to the autonomy factors such as life experiences,awareness of national misery,ideology of Carisma and the heteronomy factor influenced by the literature and art policies of Yan'an.

关 键 词：何其芳 诗歌 个人性 公共性 

分 类 号：I207.35[文学—中国文学]