墓地狂欢——论《巨屋》悖论式的叙述策略  

Carnival of the Graveyard:On the Paradoxical Narrative Strategy of The Enormous Room

作　　者：李公昭[1] 

机构地区：[1]杭州师范大学外国语学院

出　　处：《英美文学研究论丛》2010年第2期182-192,共11页English and American Literary Studies

摘　　要：e.e.卡明斯的《巨屋》是一部极具先锋派特点的战争小说。作家试图用一种旁观、戏谑、狂欢、荒诞的态度反观战争,并创造性地运用悖论式的叙述策略来表现战争条件下以狱卒为代表的(法国)官僚体制对人精神的摧残、思想的扼制与人性的践踏,说明第一次世界大战如何声称保卫民主实际践踏民主的悖论。作者虽身陷囹圄,却试图从精神层面冲破战争的牢狱,获得个性的解放与道德的完整。The Enormous Room by e.e.cummings is an exceptionally avantgarde war novel.The author attempts to view the war with a bystander,jolly, mocking,absurd attitude,and employs a creatively paradoxical narrative strategy to expose the destruction of human spirit,ideas and nature by the (French) bureaucratic system,as represented by the French jailers in WWI, highlighting at the same time the paradox of WWI as a crusade to save democracy but in fact a destruction as such.Though imprisoned,the author attempts to break the prison of war spiritually and win the individual liberation and moral integrity.

关 键 词：卡明斯 一战 《巨屋》 悖论 

分 类 号：I106[文学—世界文学]