瞿昙寺建筑彩画形式美研究  

STUDY ON THE ARCHITECTURAL DECORATIVE PAINTING OF JU-TAN BUDDHIST TEMPLE

作　　者：刘鹏[1] 李沙[1] 

机构地区：[1]北京建筑大学建筑与城市规划学院,北京100044

出　　处：《建筑学报》2013年第S2期34-37,共4页Architectural Journal

基　　金：教育部人文社会科学研究规划基金项目(11YJA760036);"北京建筑大学设计学学科建设项目"支持

摘　　要：通过对瞿昙寺建筑彩画的深入调查、测绘和研究,认为瞿昙寺建筑彩画堪称明早期彩画演变的缩影。类似宋锦的纹饰和色彩的瞿昙殿彩画形式与宋代五彩遍装的色彩设计相似。从其彩画构图比例结构分析,显现出由明早期向明中晚期过渡的彩画特征,属于珍贵古代建筑彩画典范。Based on the investigation, survey and research, this article studies the architectural decorative painting of Ju-Tan Buddhist Temple and concludes that it reflects the evolutionary course of architectural decorative painting in early Ming Dynasty. Similar to the Wu Cai Bian Zhuang style in Song Dynasty, the color and pattern of Ju-Tan Temple's decorative painting shows the characteristics of style transformation from early to mid-late Ming Dynasty. It is a valuable paradigm of ancient architectural decorative painting work.

关 键 词：形式美 建筑彩画 明代建筑 瞿昙寺 

分 类 号：TU-851[艺术—艺术设计]