“可听”文本的生产、传播与接受——以“十七年”朗诵诗与诗朗诵为中心  

Production,Transmission and Reception of Audible Texts:Focusing on Recitation Poetry in “17 Years”

作　　者：巫洪亮[1] 

机构地区：[1]龙岩学院文学与传媒学院,福建龙岩364000

出　　处：《广州大学学报（社会科学版）》2014年第12期51-55,共5页Journal of Guangzhou University:Social Science Edition

基　　金：教育部人文社会科学青年项目(10YJC751094);福建省社科规划一般项目(2014B059);福建省教育厅A类重点项目(JAS14283)

摘　　要：在政治与文化相互胶合的时代语境中,"十七年"朗诵诗生产、传播和接受出现了一系列独异现象。在建构一种"大众化"的"可听性"诗歌文本总体目标的规导下,人们从诗歌本质特征、诗体建设、诗歌传播和诗歌接受等维度,对朗诵诗和诗朗诵进行深入探究和大胆尝试。"可听性"诗歌文本生产与传播,一方面有力地推动"十七年"诗歌"大众化"进程,另一方面也使诗歌的思想、情感和语言被不断"化约",诗歌文本"厚度"降低和形象受损,朗诵诗最终难以壮大为当代诗歌的发展主流。There are a lot of special phenomena during the production,transmission and reception of recitation poetry in '17 years'. Under the limitation of overall goal of constructing the popular and audible poetry texts,the poets explore deeply into the recitation poetry from the essential feature of poetry,construction of poetic forms,transmission and reception of poetry. On the one hand,the production and transmission of audible poetry texts,pushes forward the process of its popularization. On the other hand,it simplifies the thought,emotion and language of poetry,and damages the image of recitation poetry. It is difficult for recitation poetry to expand to the main stream of contemporary poetry.

关 键 词：“十七年”朗诵诗 生产 传播 接受 

分 类 号：I207[文学—中国文学]