试论韩偓诗的绘画美与意境美  

Beauty of Artistic Conception and Visual Sense in Han Wo's Poems

作　　者：张莹洁[1] 

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《广州大学学报（社会科学版）》2014年第12期69-73,共5页Journal of Guangzhou University:Social Science Edition

摘　　要：韩偓的诗歌画面感极强,这与他"景状入诗兼入画"的创作理念是密不可分的,以入画之景入诗并非专寄托于审美对象的传移模写,而是对绘画技法的深旨奥义洞然于中并将其参入诗歌创作,以形写神,不涉畦畛,于意境创造上用力,情景浑如符契,妙合无垠。其次,韩偓诗通过数层视点构筑节奏化空间,化绘画六法的"画之总要"为"境之总要",灵活处理诗歌画面中的时空关系,在阴阳二气变化节奏的把握中寓有对时局、人生的审慎思索,迥异于一塌糊涂泥潭里的靡靡之响。The article analyzes the major characteristics in Han Wo's poems from visual sense and beauty of artistic conception. With the creation principles of 'picturesque scenery into poetry ',he uses expression techniques of drawing skills in the painting to write poems,conveying the spirit through describing the form,till the realization of the sentimental realm,and reaches a high level of integration scenarios. Besides,from the cavalier perspective,the key factor in artistic conception,he deals with the poetry of space-time relationship flexibility. More specifically,the comprehension of 'Yin and Yang'philosophy is coagulated on the reflection of history and reality,forming a unique style of his own.

关 键 词：韩偓 景状入诗 绘画技法 意境创造 

分 类 号：I207.2[文学—中国文学]