拟话本小说冥游故事的仪式解读  

Ceremony interpretation of travel in the hell of nihuaben novels

作　　者：杨宗红[1] 曾秀芳[2] 

机构地区：[1]贺州学院文化与传媒学院,广西贺州542899 [2]贵州财经大学文化与传播学院,贵州贵阳550004

出　　处：《中南大学学报（社会科学版）》2014年第6期231-235,共5页Journal of Central South University：Social Sciences

基　　金：2013年国家社科基金项目"文学地理学视域下明清白话短篇小说研究"(13XZW008);2011年教育部人文社会科学研究规划基金一般项目"民间信仰与明清话本小说神异叙事研究"(11YJAZH112)

摘　　要：话本小说的形式结构类似于僧讲、俗讲仪式。小说中众多冥游故事,显示了冥游者从一种境况到另一种境况的转变,冥游成为冥游者成长过程的通过仪式。对冥游者的经历及冥游场景的描写,揭示了边缘人物作为"替罪羊"的必然性以及考验仪式对部分冥游者的必要性,冥府的恐怖也成为伸张正义的仪式象征。冥游不仅具有仪式功能,也具有文学功能,它实现了虚与实的交融,叙事时空的转换,巧合与必然的联系,实现了娱乐与恐惧情感的无缝结合,将庄严与狂欢融为一体。The structure of Nihuaben novels is quite similar to ceremony forms of the monks’ narration and Su-jiang (俗讲) narration in temples. Many protagonists in the novels change from one situation to another through their tour in hell, and the peregrination becomes their rites of passage in the life. The protagonists’ experience and travel scene description reveal the edge characters as “scapegoat” and the test ceremony is a necessity for some tours, and the horrible views in the hell have also become the justice ritual symbols. All in all, hell visit has not only ceremonial functions, but also the function of literature, such as fictitious and real integration, conversion of narrative time and space, the coincidence relation and inevitable, seamless combination of entertainment and the sense of fear, the solemn and carnival atmosphere.

关 键 词：拟话本 冥游 仪式 文学性 虚实交融 时空转换 

分 类 号：I207.41[文学—中国文学]