元小说叙事策略探析——以黑色幽默小说为例  

On Narrative Strategies of Meta-fiction—A Case Study of Novels with Black Humor

作　　者：韦华[1] 郑仪东[1] 

机构地区：[1]齐齐哈尔大学文学与历史文化学院,黑龙江齐齐哈尔161006

出　　处：《长春大学学报》2014年第9期1231-1233,共3页Journal of Changchun University

基　　金：黑龙江省哲学社会科学研究规划项目(12C038);黑龙江省教育厅青年骨干教师资助项目(1254GG067)

摘　　要：元小说尤其是黑色幽默元小说,通过运用"作者出面"等叙事策略,颠覆了现实主义文学的叙事传统,充分揭示了文学的虚构本质。这虽然是富有实验创新精神的作家们为延续文学鲜活生命力的自觉努力,但是因为其对叙事成规的过度破坏,也使得多数元小说成为曲高和寡的"阳春白雪"。对其叙事策略的研究,既有利于对后现代文学的理解,也有益于探索未来小说创作的新路径。Meta-fiction,especially black humor meta-fiction,subverts the realistic conventions by using narrative strategy of'the presence of author',fully revealing the essence of literary fiction. It is the conscious efforts of writers rich in innovative spirit to continue literature vitality,but the excessive violation of narrative conventions makes most meta-fictions be a'highbrow art',which is too high to be popular. The research of its narrative strategies is helpful to the understanding of postmodern literature,and is also beneficial to explore the new path of the future novels' creation.

关 键 词：元小说 叙事策略 黑色幽默 

分 类 号：I106.4[文学—世界文学]