唐代都市世俗娱乐场所与“说话”的兴起——兼论唐代“市人小说”并非宋代“说话”之先声  

The Urban Popular Places of Entertainment in the Tang Dynasty and the Rising of the Opening Remarks

作　　者：宋常立[1] 

机构地区：[1]天津师范大学文学院,天津300383

出　　处：《河北学刊》2015年第1期73-78,共6页Hebei Academic Journal

基　　金：2006年度国家社会科学基金项目<瓦舍文化与通俗叙事文体的生成>(06BZW039)

摘　　要："说话"伎艺的标志性特征是有"入话"、"头回"等为适应开放的场地和群体性受众而设置的开场程序,这一程序设置表明,没有世俗群体受众以及容许他们"聚会"听故事的公共空间,也就没有"说话"伎艺。而自秦汉至唐实行坊市制封闭管理的都市空间中,这种面向世俗大众的娱乐空间并不存在。在唐代,唯有寺院是面向世俗大众开放的,"说话"便从寺院兴盛起来。唐代都市中的杂戏"市人小说"只能面向少数个体受众,由此所构成的伎艺形态与以"聚众"为特征讲述通俗故事的"说话",没有直接的渊源关系。The artistic style of the opening remarks did not exist before the Tang dynasty because it needed public places for listeners,and at that time there was no public place for people to gather. In the Tang dynasty temples were open for people where the opening remarks rose. The urban stories in the Tang dynasty had relatively fewer listeners compared with the opening remarks that had more listeners,so the two arts have no connection of inheritance.

关 键 词：坊市制 市人小说 世俗娱乐场所 说话 

分 类 号：I207.41[文学—中国文学]