民国上海流行歌曲的音乐审美特征  

On the Music Aesthetic Characteristics of Shanghai Popular Songs during the Period of Republic of China

作　　者：唐钧[1] 陈伟[2] 

机构地区：[1]上海师范大学音乐学院,上海200234 [2]上海师范大学都市文化研究中心/比较文学与世界文学研究中心,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2015年第3期118-123,共6页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：民国上海流行歌曲是中国流行歌曲的开山之作。它从属于一般音乐,又不同于一般音乐,具有自身独特的音乐特征与审美现代性。文章从情感美、意境美、语言美、旋律美四个方面阐述民国上海流行歌曲的音乐审美特征。从音乐的情感性来讲,这类歌曲以柔美的女声诉尽缠绵悱恻之情感;在意境方面气轻韵柔,阴柔优美而韵味无穷;在语言方面,诗词般的语言介入音乐形式,语言的音乐性为歌曲的美感大增异彩;在旋律方面,融合民族音乐特色与外来音乐元素,灵动多样,和谐自然。Shanghai popular songs during the period of Republic of China are the beginning of China popular songs,which belong to general music with their unique features and styles.The paper explores the music aesthetic characteristics of Shanghai popular songs during the period of Republic of China from four aspects,including emotional beauty,the beauty of artistic conception,the beauty of language,and the beauty of melody.From the emotional aspect,these songs pour out sad and sentimental feelings with mellow voice;from the artistic conception aspect,the songs have a soft and gentle tone,which is feminine,beautiful and magnificently conceived;from the aspect of language,poetic language enters upon its music form,and the musicality of the language makes the songs more beautiful;from the melody respect,the songs compromise the merits of Chinese and Western styles with agile diversity and natural harmony.

关 键 词：民国时期 上海流行歌曲 音乐审美特征 

分 类 号：J616.2[艺术—音乐]