20世纪20年代中国电影期刊编辑初探  

Analysis on the Editors of Chinese Film Journals in the 1920's

作　　者：沈艾娥[1] 

机构地区：[1]西南政法大学全球新闻与传播学院

出　　处：《编辑之友》2015年第6期92-95,112,共5页Editorial Friend

基　　金：教育部人文社会科学研究西部和边疆地区项目(10XJA870004);重庆科技学院重点项目(CK2011Z21)

摘　　要：20世纪20年代中国电影期刊正值萌芽初创阶段,其生存更多地依靠各电影公司作资金后盾。电影期刊编辑则多来自旧式文人的转型,其在经济上对电影公司也有一定的倚重与依附。这一时期中国电影期刊的编辑理念在艺术与市场之间游离不定,加之电影期刊在编排方式上的千篇一律,导致其内容的同质化以及竞争的无效化,直接影响了电影期刊的长足发展。In the 1920's, Chinese film journals were on the initial stage of germination, and their survival depended on the movie company funds. The editors of Chinese film journals mostly came from the transformed old scholars, who had a certain reliance and dependence on the movie company. During this period, the editorial concept of Chinese film journal dissociated between art and market, in addition to the arrangement way all in the same key, these resulted in the homogenization of content and the invalidity of the competition, and directly affected the development of film journals.

关 键 词：电影期刊 中华影业年鉴 影戏杂志 电影画报 

分 类 号：J909.2[艺术—电影电视艺术] G239.29[文化科学]