《文艺复兴》与战后京派文学的“复兴”  

Renaissance and the Literary“Revival”of Postwar Beijing School Literature

作　　者：许江[1] 

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《辽宁师范大学学报（社会科学版）》2015年第5期689-693,共5页Journal of Liaoning Normal University(Social Science Edition)

基　　金：辽宁省教育厅人文社科研究项目(W2014135)

摘　　要：创刊于1946年初的《文艺复兴》是当时国内最重要的文艺刊物,它以独特的形式和风格体现了现代文学特别是京派文学艰难发展的复兴轨迹。《文艺复兴》提倡现实主义文学,对抗战之前流行的文学风潮进行了含蓄而中肯的批评;书评栏是该刊的常设栏目,兼顾与妥协是它的主要策略,由此形成了一种沉稳而活跃、坚守但不保守的风格;该刊提倡繁复的艺术趣味,其实质是继续维护、张扬现代文学自由、自觉的本性。《文艺复兴》的选择和自我塑造,彰显了以京派为主的自由主义文人的文艺旨趣。The magazine Renaissance was created in 1946,which presented the footprint of modern literature in the turning period by the particular form and style.It promoted the realism literature and criticized the popular literary tides before the war.Book Review was the fixed column which is non-extreme and compromising.It promoted the complicated art interest and continually maintained the freedom and selfconsciousness.The choice and self-fashioning of the magazine presented the purport and insistence of free writers.

关 键 词：《文艺复兴》 战后 京派文学 现实主义 

分 类 号：I206.6[文学—中国文学]