“诗家律令”——“选体”三论  

On ”Xuan Ti”

作　　者：雷磊[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《湘潭大学学报（哲学社会科学版）》2004年第4期97-101,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：国家社会科学基金项目<杨慎与盛明诗潮>( 0 4CZW 0 0 9)

摘　　要：选体含义较复杂 ,首先 ,体裁上 ,选体与乐府、歌行、律绝是并列的概念。由于地位崇高 ,它几乎成了五言古诗的代名词 ,成为诗家创作五古的律令。其次 ,风格上 ,选体有典雅、翰藻、新创三个主要特征。再次 ,选体接续风骚 ,历跨汉魏、晋宋、齐梁。因此 ,后世学选体者主要分为汉魏、元嘉两派。至明代则衍变为汉魏盛唐派 (前后七子派 )与六朝初唐派 (杨慎等 )的斗争。从选体切入 ,或许有助于理解某些文学现象。The characteristic of Xuan Ti(选体)can be shown through three aspects that is, hard style, types of literature and periods. The style of Xuan Ti has three main characteristic, namely elegance, literary embellishment and freshness which develops out the afterward understandings of the style of Xuan Ti. As to types of literature, Xuanti is a conception apposite to Yuefu, Gexing and Lujue. Because of its high statue, it almost becomes the representation of Five-word ancient poetry and becomes the law abided by writers of Wu Gu(五古). As to its periods, Xuan Ti is appeared after Feng Sao(风骚). Moreover, because it spanned six dynasties: Han(汉), Wei(魏), Jin(晋), Song(宋), Qi(齐) and Liang(齐梁), the subsequent learner divided into two groups of Han Wei(汉魏) and Yuan Jia(元嘉). They evolved into the two groups of Hanwei-shengtang(汉魏盛唐) and Liuchao-chutang(六朝初唐) till Ming.

关 键 词：选体 五言古诗 诗家律令 随时变改 汉魏盛唐派 六朝初唐派 

分 类 号：I206.2[文学—中国文学]