从《名儒草堂诗余》看江西词派  

Views on the Jiangxi School of Poets from Cao Tang Ci Collection of the Yuan Dynasty

作　　者：许春燕[1] 

机构地区：[1]苏州工艺美术职业技术学院学报编辑部,江苏苏州215008

出　　处：《南昌大学学报（人文社会科学版）》2004年第4期114-118,共5页Journal of Nanchang University(Humanities and Social Sciences)

摘　　要：《名儒草堂诗余》作者大都为南宋遗民 ,集中作品既继承了辛派词人慷慨悲烈、豪宕恢宏的气度 ,又延续了南宋末年词人善用咏物的方式传递内心情绪的手法 ,表情极为深挚。宋元时期特殊的社会状况赋予了词集鲜明的政治指向性和浓郁的地域风格 ,由此得以另立江西一派。与同时代的“浙派词人”相比 ,强烈的兔葵燕麦之感、悲愤激楚之音溢于言表 ,内容形式与艺术风格别具特色 ,在词坛留下可书的一笔。Most of the Cao Tang Ci Collection writers were former subjects of the Southern Song Dynasty. The cream of the Ci carried on the vehement and heroic spirit of Xin Style which is characteristic of those works by Xin Qiji and his followers. Besides, the writers carried on the special means of those writers of the Southern Song Dynasty, which was used to express their deep feelings by describing objects. On the effect of the special social condition the collection has such a strong political color and an intense regional style that a Jiangxi School was established. Compared with the Zhejiang School, they mourned for their conquered native country and they sighed mournfully for their wandering lives, but there were no decadent sentiments but indignation. The content and form, the style and skill have a distinctive flavor. As a result, it has become a focus of Ci criticism.

关 键 词：遗民 宋元 江西 浙江 

分 类 号：I207.23[文学—中国文学]