析《麦克白》之罪  

Sins in Macbeth

作　　者：王鹏[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《安徽师范大学学报（社会科学版）》2004年第4期487-491,共5页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：教育部人文社会科学研究2003年度专项任务研究项目(03JD750.47-99001)

摘　　要：《麦克白》全剧贯穿着罪这一基督教教义主题。存在主义神学认为,罪是神人关系的疏离。麦克白为突破个体存在的有限性而弑君获罪,又为弥合自身的疏离状态而在原罪和本罪里挣扎,但人本身所具有的潜能无限性驱使他在不信、欲望和自我提升中不断摧毁神人平衡统一体,走向必然的悲剧命运。Macbeth impenetrates by Christian dogmatic subject of Sin. From the perspective of existentialist theology, Sin is a state of estrangement between the God and man. Macbeth sinned from his king - assassination breaking the existential finitude of himself. To reconcile the estrangement he struggled between the original sin and personal sin. However, man's infinitude of potential ability drove him into the inevitable fatal tragedy of death step by step after the breakdown of the balanced unit between the Nod and man.

关 键 词：罪 原罪 本罪 不信 欲望 自我提升 死 

分 类 号：I106.3[文学—世界文学]