论“陌生化”技巧在《诺斯托罗莫》中的运用  

The Application of "Defamiliarization" in Nostromo

作　　者：邓颖玲[1] 

机构地区：[1]湖南师范大学外国语学院 湖南长沙410081

出　　处：《外语与外语教学》2004年第9期44-47,共4页Foreign Languages and Their Teaching

摘　　要：约瑟夫．康拉德的长篇社会小说《诺斯托罗莫》以其史诗般恢弘的场面、独特新颖的创作手法和丰富的思想内涵成为20世纪的经典之作。我国学者对它的介绍和研究远为不够。本文拟用俄国形式主义的“陌生化”理论对它进行解读，认为：在《诺斯托罗莫》中，康拉德对小说的语言、故事情节和叙事结构等进行了“陌生化”处理，从而增加了作品的审美难度和审美价值；“陌生化”技巧的运用是该作品成功的主要原因之一。Joseph Conrad's social novel Nostromo becomes a classic in the twentieth century with its epically extensive scenes, original construction and profound ideology. But the study of it in China is far from being enough. This paper aims at interpreting the novel with the technique of 'defamiliarization', produced by Russian Formalism, in the light of its language, plot and structure. It holds that in Nostromo Conrad deforms his way of handling the language, presenting the plot and constructing his story to heighten the aesthetic value of the novel; the employment of the technique of 'defamiliarization' mainly leads to its great success.

关 键 词：约瑟夫·康拉德 《诺斯托罗莫》 俄国形式主义 “陌生化”技巧 

分 类 号：I206[文学—中国文学]