“惟闻唱竹枝”——风俗专用诗体之滥觞  

Zhuzhici Was Sung at All Places——On the Popularity of a Specific Poetic Form for Describing Custom

作　　者：刘航[1] 

机构地区：[1]首都师范大学诗歌研究中心,北京100037

出　　处：《四川大学学报（哲学社会科学版）》2004年第5期78-82,共5页Journal of Sichuan University：Philosophy and Social Science Edition

基　　金：20 0 3年北京市教委人文社科项目 (SM2 0 0 3/ 10 0 2 80 37);首都师范大学 2 11重点学科建设项目

摘　　要：During the Mid-Tang period, popular literature was very prosperous, which has not only brought about the evolutionary tendency of scholars’ esthetic favor of popular literature, but has led to the massive creation of popular literary works as well. The important role of Zhuzhici in social entertainment and its enormous influence on both poets at that time and future generations were very typical. The popularity of bamboo worship and sad and depressive style of Zhuzhici made it possible to be widely accepted in folk songs. Liu Yuxi reformed Zhuzhici successfully, which turned Zhuzhici into the appropriate style of verse for describing custom henceforth.During the Mid-Tang period, popular literature was very prosperous, which has not only brought about the evolutionary tendency of scholars' esthetic favor of popular literature, but has led to the massive creation of popular literary works as well. The important role of Zhuzhici in social entertainment and its enormous influence on both poets at that time and future generations were very typical. The popularity of bamboo worship and sad and depressive style of Zhuzhici made it possible to be widely accepted in folk songs. Liu Yuxi reformed Zhuzhici successfully, which turned Zhuzhici into the appropriate style of verse for describing custom henceforth.

关 键 词：竹枝词 刘禹锡 风俗 诗歌体裁 

分 类 号：I207.23[文学—中国文学]