由明入清散曲麦秀黍离主题的书写形态初探  

An analysis of the non-dramatic songs on sentimental topics in early Qing Dynasty

作　　者：范长华[1] 

机构地区：[1]暨南国际大学中国语文学系

出　　处：《东南大学学报（哲学社会科学版）》2004年第5期92-94,共3页Journal of Southeast University(Philosophy and Social Science)

摘　　要：江南诚为人文荟萃之地 ,然而满清入关后 ,竟不惜以各种残酷高压政策横扫江南 ,无形中促使一批江南士人投入散曲创作。散曲彷一道窗口 ,更适于宣泄心底的抑郁激愤。麦秀黍离是由明入清讴歌的重要主题 ,散曲以写实记事 ,讽古伤今 ,咏物寄恨 ,美人怨思以及化悲为嘲等书写形态呈现 ,开拓不少自元以来的散曲新风貌 ,同时也是清代散曲最鲜活的生命力。The area of Jiangnan(south of the Yangtze River) had long been a place with a galaxy of scholars, but as the Qing authority adopted various policies of persecution, a large group of scholars had to turn to the writing of non-dramatic songs which were more suitable to express their depression and indignation. The most important topic of their writing was the sentimental memories of the past reflected in different images. These verses created some new styles of non-dramatic songs since the Yuan Dynasty, representing the most fresh vitality of non-dramatic songs in the Qing Dynasty.

关 键 词：散曲 麦秀黍离 书写形态 

分 类 号：I207.24[文学—中国文学]