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作 者:石观海[1]
出 处:《武汉大学学报(人文科学版)》2003年第6期756-765,共10页Wuhan University Journal (Humanity Sciences)
摘 要:如果把宫体诗派置于中国古典诗歌发展衍变的历史长河中 ,给以历时性的扫描与意象建构的剖析 ,就会发现她的艺术贡献与历代批评家对她的蔑视之间存在着相当悬隔的落差。宫体诗派作家所创作的大量诗章并非一堆毫无价值的垃圾文件 ,它们“吟咏情性” ,传承了诗歌的永恒主题 ;变革求新 ,推进了古诗的律化进程 ;体物寓情 。Gongti Poetry (Courtly Poetry ) was an important genre and school of the Chinese classic poetry. Anyway, it used to be neglected or belittled critically as trash writing which was assumed to brim over with euphemism and sentimentalism. However, being put it into the context of the Chinese classic poetry, and make diachronic survey of its development and close analysis of its image constructing, it turns out to be a great contribution to the art of the Chinese poetry. Those courtly poems passed on the traditional eternal themes of human sentiments and moods through describing objects, pushed the process of rhythmizing and ruling poetry with their elaborative metrical arrangements and widened the representation of poetic images with their affluent and delicate usages of images.
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