广义图像与当代油画创作  

Generalized Images and the Creation of Oil Paintings in Modern Times

作　　者：胡绍宗[1] 

机构地区：[1]湖北黄冈师范学院美术系,湖北黄冈438000

出　　处：《南京艺术学院学报（美术与设计）》2004年第4期120-123,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：本文考察了大众图像与中国当代油画创作这一对相关命题,试图阐述这对命题中大众图像对中国当代油画创作的影响,并以西方以及中国当代的生活方式的变化对绘画艺术所产生的影响作为例证。也即是广义上的后现代理论框架下讨论大众文化与架上艺术之关系,以期对当代的油画的创作思路有着某种参考与启发的意义。The thesis discusses the relevant propositions of public images and the creation of contemporary oil paintings, intends to elaborate the influence of the former on the latter by illustrating the effects of the contemporary western and Chinese culture on the art, that is the relations between popular culture and paintings in the context of the postmodernism, which is expected to have some inspiration for creating.

关 键 词：大众图像 后现代 中国当代油画 

分 类 号：J213[艺术—美术]