继承·融合·突破——理查·施特劳斯的歌剧《玫瑰骑士》  

Succeed, Fused, Breakthrough: Richard Strauss Opera Der Rosenkavalier

作　　者：张慧娟[1] 

机构地区：[1]上海音乐学院音乐学系

出　　处：《黄钟（武汉音乐学院学报）》2004年第4期17-22,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：《玫瑰骑士》是理查·施特劳斯最受人喜爱的歌剧代表作之一 ,该剧无论在脚本还是音乐方面都继承、融合了不同时代不同作家、作曲家作品中的精华 ,并在此基础上有所突破 ,形成了自己的风格。本文梳理了有关作曲家、脚本作家及两人合作的相关情况 ,对该剧脚本及音乐进行分析 。Der Rosenkavalier was one of a great favorite with the audience and the typical operas by Richard Strauss. No matter its script or the music, both of them in the opera succeed and fused the elites from the different writers and composers' works in various periods, and had made a breakthrough in the opera, to form its own style. The papers sorted out the related situation of the composer and playwright as well as their cooperation, analyzed the script and music, dissertated some relative issues.

关 键 词：《玫瑰骑士》 理查·施特劳斯 霍夫曼斯塔尔 

分 类 号：J609.3[艺术—音乐]