电影的天性:产业化  

Industrialization: the Natural Instinct of Film

作　　者：陈怡[1] 杨康贤[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《上海大学学报（社会科学版）》2004年第6期67-71,共5页Journal of Shanghai University(Social Sciences Edition)

摘　　要：电影由爱迪生创造雏形,由卢米艾尔兄弟推向公众,经过了梅里爱的艺术创新和百代的企业化经营,在战后充分的市场竞争中具备了产业规模和形态,获得了生生不息的艺术和商业潜力。以世界电影发展史上重要相关个人与国度的悲欢荣辱为镜,可以证明尊重电影天性的电影产业化进程在中国展开的合理和必要性。我们有必要以史为诫,走出种种保守、自私观念支配下的思想禁锢,实现电影生命力在中国的真正解放。The film was invented by Thomas Edison, publicized by August and Louis Lumière, and perfected by George Méliès. By way of the postwar market competition, it took shape in mass production and became a kind of artistic industry full of vigor and business opportunity. The history of world cinema has proved that the industrialization of film, as its natural instinct, is reasonable and necessary to China. We should, taking the history as a mirror, remove all sorts of selfish, conservative ideas to free Chinese film industry from its shackles.

关 键 词：电影艺术 商业性 企业化 市场竞争 产业化 

分 类 号：J909[艺术—电影电视艺术]