金与南宋诗坛弃宋宗唐的同中之异及成因  

On the Pro-Tang and De-Song Inclination in the Poetic Circles of the Jin and Southern Song Dynasty

作　　者：狄宝心[1] 

机构地区：[1]山西忻州师范学院中文系

出　　处：《文学遗产》2004年第6期87-95,共9页

摘　　要：诗学批评上 ,南宋扬唐抑宋 ,多着眼于艺术风格 ,门户之见甚严 ,弃宋宗唐 ,取向明确 ;金人扬唐抑宋 ,多着眼于作家情性 ,在分唐界宋上未形成门户之见 ,具有宗唐而不弃宋的倾向。诗歌创作上 ,南宋的弃宋宗唐表现为渐与晚唐体合 ,非此即彼 ,势如水火 ;金人则宗唐取径较宽 ,且呈现出唐宋兼融的态势。南北弃宋宗唐的同中之异 ,是文化背景、自身素质、时势国情相互作用的结果。由此可见金人在继承唐宋文学遗产时表现出一种选择 ,接受者在双向交流中发挥了主导作用。In Poetic criticism,the Pro-Tang and De-Song inclination shown by the scholars in the Southern Song Dynasty mainly lay in their paying more attention and exerting a strect creterion to the artistic styles of poetical works,while that incliation shown by those in the Jin Dynasty was mostly represented in their fervent concern about the disposition and temperament of the authors;latter ones did not lay a very clear and strict demarcation between Tang and Song,for they worshiped Tang,but did not reject or denounce Song.Therefore,people in the Jin Dynasty,as literary receivers,assumed a proper choice and manifested their positive function in assimilating the literary legacy of Tang and Song.

关 键 词：金代 南宋时期 诗学理论 文学研究 艺术风格 中国 诗歌创作 

分 类 号：I207.22[文学—中国文学]