世纪之交的新“康乾盛世”——对三部电视剧的传播/文化解读(上)  

The New Renaissance of "Kong and Qian Eras" At the Eve of This Century-A Cultural Reading Of the Impacts of Three TV. Series (1)

作　　者：庄宇新[1] 

机构地区：[1]北京电影学院文学系

出　　处：《北京电影学院学报》2004年第5期19-27,共9页Journal of Beijing Film Academy

摘　　要：世纪之交,长篇古装电视连续剧在中国大陆的文化领域中始终以一种引人注目的方式保持着持续增长的影响力,并且在整个国家的公众生活中扮演着越来越不可或缺的角色。这就使得一方面,对于当前中国大陆文化的研究已经无法忽略或绕开长篇古装电视连续剧的问题;另一方面,要想对当前文化和现实进行有效地探究,长篇古装电视连续剧无疑是最佳的研究标本和解读对象。自1999年到2003年,中国大陆连续出现了《雍正王朝》、《康熙王朝》、《乾隆王朝》三部分别表现清朝三代帝王故事的长篇电视连续剧,引起了社会的极大关注。于是,在世纪交替的时刻,康乾盛世借助电视银屏复活了一次,或者说我们发现了一个存在于长篇电视连续剧中的新“康乾盛世”。The beginning of this century and the end of the last saw the continued legacy and influence of the Chinese ancient Gong Fu TV. Series and growing interests in this genre in China,deeply rooted in its culture. This type of TV. series have played a more and more important part in mass media and culture. We can't underestimate on one hand the studies on Chinese mainland culture,nor can we ignore or surpass the long ancient Gong Fu TV. series in our studies. On the other hand,to conduct thorough research on contemporary culture and society,these long ancient Gong Fu TV. Series doubtlessly could become the best contexts and texts that we can work on. During the periods from 1999 to 2003,three long TV. series on the three Qing emporers were respectively brought on to the screens,Yong Zheng Dynasty,Kong Xi Dynasty,Qian Long Dynasty,which attracted great attention in the society. With TV.,we experienced the revival of the flourishing eras of Kong and Qian especially at a time when the two centuries met. To put in another word,we have discovered a new 'Kong and Qian popularity'.

关 键 词：长篇古装电视连续剧 《雍正王朝》 《康熙王朝》 《乾隆王朝》 电影市场 导演艺术 

分 类 号：J905[艺术—电影电视艺术]