大众文化批判理论的后现代转向  

Popular Cultural Criticism Theory’s Postmodern Transition

作　　者：姜华[1] 

机构地区：[1]黑龙江大学哲学系

出　　处：《北方论丛》2004年第6期107-110,共4页The Northern Forum

摘　　要：大众文化批判理论的转向主要是指以鲍德里亚、杰姆逊等后现代理论家对大众文化的批判 ,相较于早期以法兰克福学派为代表的大众文化批判理论来说 ,在内容和价值评价上都体现了一种后现代的转向。虽然后现代大众文化批判理论重新关注人在后现代社会中的主体能动作用 ,关注人在接受后现代传媒时所具有的主体抵抗意识 ,显示了现今文化研究的建设性意义。但由于后现代大众文化批判理论自身存在的理论局限性 ,显示了日渐式微的理论批判性。Popular cultural criticism theory’s transition mainly refers to some postmodern theorists,especially Baudrillard and Jameson’s criticism on popular culture, whose contents and value evaluation show the postmodern transition ,comparing with forepart’s popular cultural criticism represented by Frankfort school. Although postmodern popular cultural criticism focuses on human being’s subjective activity and subjective resistant consciousness influenced by postmodern media, and reveals constructive significance on postmodern cultural research, it shows gradually declined theoretical criticism because of it’s own theoretical limitation.

关 键 词：大众文化 大众文化批判 后现代主义 

分 类 号：G112[文化科学]