魏晋南北朝瓷器纹饰三题  

On Three Questions of Designs of Porcelain in Wei-Jin Period and Northern and Southern Dynasties

作　　者：宋柏松[1] 袁胜文[2] 

机构地区：[1]华中科技大学经济学院,湖北武汉430074 [2]南开大学历史学院文博系,天津300071

出　　处：《中原文物》2004年第6期53-60,共8页Cultural Relics of Central China

摘　　要：魏晋南北朝时期瓷容器肩腹部的装饰性纹饰带多为几何纹、植物纹及贴饰的铺首、佛像、骑马武士、仙人瑞兽等内容;堆塑罐上纹饰主要包括模拟现实生活类、虚构的祥禽瑞兽类和宗教类三种;青瓷莲花尊的出现与佛教有关,其器物上主要纹样如莲瓣、忍冬、菩提、宝相花等都直接源于佛教艺术。。In Wei - Jin and Southern and Northern dynasties the design cingulum decorated on the porcelain mainly included geometry, plant designs and some molded decorations such as pushou, Buddhist figure, cavalier, immortals and supernatural animals. The designs of porcelain jar with molded decoration could be divided into three types, i. e. simulated real objects, supernatural animals and religionary objects and statues. The appearance of celadon lotus - shaped Zun was relative to Buddhism and the designs of lotus petals, honeysuckle, banyan also originated from the Buddhist art.

关 键 词：纹饰 青瓷 器物 武士 瓷器 几何纹 佛像 佛教艺术 装饰性 纹样 

分 类 号：K876[历史地理—考古学及博物馆学] K875[历史地理—历史学]