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作 者:张超[1]
出 处:《韶关学院学报》2004年第7期9-11,共3页Journal of Shaoguan University
摘 要:朱光潜认为文学批评须以欣赏为基础,领会作家创作时的所想所感,将作品还原,把作品在头脑中重现,以之体现欣赏者的创造力,故名之为“欣赏的创造的批评”。在欣赏作品之后对其进行理性的“反省”,即所谓“名理”,在批评家和读者之间建立一条可以传达理念的通道,以此达到批评家和读者的沟通。Zhu Guangqian thinks appreciation is the foundation of literature criticism. During criticizing, we should grasp what the authors thought and felt when they wrote. So the work can restore and reappear in the brains to embody the critic' s creativity. For that, we call 'appreciative and creative criticism' . After appreciating the works, we need introspect with reasoning, that is to say 'reasoned illumination' . Through it, we can establish a bridge which can transmit idea between the critics and the readers, to make them communicate.
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