再论继承与创新——兼析中国画现代与传统之争  

On Inheritance and Innovation

作　　者：陈克[1] 

机构地区：[1]河南师范大学 美术系,河南新乡453002

出　　处：《河南师范大学学报（哲学社会科学版）》2004年第6期140-141,共2页Journal of Henan Normal University(Philosophy and Social Sciences)

摘　　要：20世纪的中国画界,继承与创新、传统与现代之间演绎了一场唇枪舌战。而其实,矛盾双方的争论其实围绕 的是一个假设命题,急功近利和保守退却同是艺术和中国画的大敌,而现代中国画丰硕的成果恰恰得益于不可缺 一的二者:优秀的传统遗产和现代文明最前沿的成就。There was a hot debate on inheritance and innovation, tradition and modernity in Chinese painting in the 20th century. In fact, both eagerness for quick success and instant benefit and conservation and flinch are enemy of art and Chinese painting. The remarkable achievements of modern Chinese painting just result from these two indispensable factors.

关 键 词：继承与创新 现代与传统 假设命题 根基 发展 

分 类 号：J205[艺术—美术]