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作 者:张宏生[1]
机构地区:[1]南京大学中文系
出 处:《文学遗产》2000年第6期37-47,共11页
摘 要:本文通过考察有关文献,探讨了文赋的形成及其相关诸问题。文章首先确立了文赋的文体学特征,然后从宋初以赋论理和律赋的才学化两个方面,说明文赋的形成和这一文体的自然走向相符。作者认为以文为赋是受了以文为诗的启发。最后,文章从文化背景、创造精神和创作实践等方面,论述了文赋在欧阳修手中成熟的时代必然性。In this essay the formation of Wen Fu and other relevant questions are investigated. First, the author defines stylistic features of Wen Fu, then explains, from both theorizing with Fu and tendency of learning in Lu Fu (a kind of Fu) in the early Song, the concordance of formation of Wen Fu with natural development of this genre. Based on the above, he examines in its appearance and its relations to similar genres, and holds that to write Fu in prosaic style, inspired by mak ing poetry in the same style, is a reasonable result of the poetry-and-prose innovation in the Northern Song. Lastly, the author expounds, from cultural background, creative spirit and practice, the necessity of that Ouyang Xiu makes Wen Fu ripe as a new genre.
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