苏门酬唱与宋调的发展  

Singing and Versifying in the Su'sSchool and the Development of the Style of Song Poetry

作　　者：马东瑶[1] 

机构地区：[1]北京师范大学文学院

出　　处：《文学遗产》2005年第1期97-107,共11页

摘　　要：唱和诗作为大量存在于诗歌史上的创作类型,一向被认为缺乏艺术价值,“苏门”的创作实践证明了这一看法的偏颇。苏门酬唱将唱和诗作为元诗歌的重要组成部分,接续庆历以来诗歌革新的传统,本着“不随人后”的自立意识,超越唱和诗的应酬俗义,赋予这一诗歌类型以丰富的内容和表现手法,一方面凸显个人风格,另一方面推动了思致新奇、体势宏大、才学深厚、语言晓畅以及体现人文关怀等“宋调”的典型特征在元时期的发展。Poems for singing and versifying used to be regarded as lack of artistic value, in spite of their large quantity in the poetic history However, the creational activities in Su'saSchool proved such opinions and literary views somewhat mistaken or biased The poets in Su'saSchool went on with the versifying reform carried out since the Era Qingli and surpassed the customary ritual consideration with an independent mind in the process of composing their poetical works imbuing with full humanist cares, which formed an important part of Yuanyou poetry On the other side, such a kind of singing and versifying activities in Su's School rendered a greatly pushing force to the development of the style of Song poetry in the Era Yuanyou, both in the respect of poetic thinking and in that of stylistic technique

关 键 词：唱和诗 诗歌史 宋调 诗作 创作类型 创作实践 新奇 艺术价值 个人风格 表现手法 

分 类 号：I206.2[文学—中国文学]