从拟玉台体诗看玉台体  

On the Yutai style from the Yutai imitation poems

作　　者：张蕾[1] 张秀琴[2] 

机构地区：[1]河北师范大学文学院,河北石家庄050091 [2]石家庄经济学院人文社科学院,河北石家庄050031

出　　处：《河北师范大学学报（哲学社会科学版）》2005年第1期88-94,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

摘　　要：玉台体因《玉台新咏》而得名,但并不能涵盖所有入选此集的作品风格。从后世拟玉台体诗的情况可以看出,拟作者几乎约定俗成的感受是,玉台体即宫体。尊重概念的主观性,或许可以帮助我们摆脱试图严密界定所要面对的尴尬,从而更客观地认识文学史的实际。Though it is widely accepted that Yutai style was named after a collection of poems, New Odes to Yutai, it may not be used for all the styles of the poems selected in the collection. However, the writers of the paper argue that the diachronic study of Yutai imitation pomes of the later generations shows the Yutai style is the royal style. Based upon this, the writers claim that the definition of a literary term might as well stand secondary to readers' objective understanding of the work should the definition of the term be much too hard.

关 键 词：《玉台新咏》 玉台体 拟玉台体诗 

分 类 号：I207.22[文学—中国文学]