以琴歌、筝歌为表现形式的弹唱曲探微  

Tan-Chang (Playing-Singing) Tune Represented As Qin-Songs and Zheng-Songs

作　　者：赵毅[1] 徐桦[2] 

机构地区：[1]武汉音乐学院民乐系 [2]武汉音乐学院音乐教育学院

出　　处：《黄钟（武汉音乐学院学报）》2005年第1期107-109,共3页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章通过梳理有关琴歌和筝歌音乐文献,对两者在弹唱曲中具有典型性的表现形式进行了探讨。在归纳有辞无谱、有辞有谱的琴歌和唐传筝曲衍生的筝歌的基础上,分析了弹唱曲中“以辞和曲”和“以腔融辞”两个类型的构成情况,以及琴歌、筝歌在弹唱实践中“声”与“韵”的演变规律。Through organized the music materials related to qin-songs and zheng-songs, the papers discussed both of their typical representative forms in tan-chang(playing-singing)tune: chose words suit to tune and given tune harmonize words, as well as the evolvement rule of tone and flavour in tan-chang tune of qin-songs and zheng-songs.

关 键 词：弹唱曲 琴歌 筝歌 以辞和曲 以腔融辞 

分 类 号：J617.7[艺术—音乐]